- Francis Poulenc – Sonata for Flute and Piano
The challenge with this piece has been playing what’s on the page versus playing in a stylized manner (as many recordings of this piece often exemplify). The technical elements such as the sept-tuplets, 32nd note pickups, or double tonguing in the 1st movement require a practice approach that will make the end result sound seamless or effortless.
- Sergei Prokofiev – Sonata in D op. 94
This edition includes both the violin transcription along with the flute line – being aware that there are variations (and other editions of the piece) was really important when studying and listening to the piece before practicing. The infamous D7s are just one of the challenges this piece presents where the goal is for them to blend into the ascending arpeggio pattern.
- Katherine Hoover – Kokopeli for solo flute
With no indicated meter and no accompaniment the challenge with this piece is maintaining rhythmic values. As well as keeping an active ear for intonation, especially on repeated pitches. And finally keeping a sharp eye on the accidentals since they do not carry through the octave. Despite these initial challenges, the phrasing and overall mood of the piece drive the player to overcome these visual hurdles.
- W.A. Mozart – Concerto in D Major for flute (K. 314)
Mozart has 2 concertos for flute – one in G Major and this one, in D Major (which is really just a re-voicing of the oboe concerto in C). This Barenreiter edition is great for analysis and understand the solo flute’s role – it includes the principal flute part, piano score, suggested cadenzas, and a reference score.
What is on your stand this month?
What's On My Stand 